Las óleos de todo Carl Schuch


Choice ID Image  Painting (From A to Z)       Details 
97305 Abbazia S Gregorio  Abbazia S Gregorio   1878(1878) Medium oil on canvas Dimensions 84 X 69 cm cyf
91583 Baumgruppe mit Gatter  Baumgruppe mit Gatter   1880 or 1881 Medium oil on canvas Dimensions 32.1 x 45.9 cm (12.6 x 18.1 in) cyf
96985 Bemooste Felsblocke im Wald  Bemooste Felsblocke im Wald   1888 (?) Medium oil on canvas, doubliert Dimensions 62.5 X 82.7 cm cyf
90512 Bruckenruine an einem Flublauf  Bruckenruine an einem Flublauf   1870(1870) Medium oil on canvas Dimensions 22.9 x 32.7 cm (9 x 12.9 in) cyf
86587 Gasthaus Lahnthaler  Gasthaus Lahnthaler   Date 1873(1873) Medium Oil on canvas Dimensions 54.5 x 67.5 cm (21.5 x 26.6 in) cjr
96818 Gladiolen und Apfelsinen  Gladiolen und Apfelsinen   oil on canvas Dimensions 80 X 62.5 cm cyf
93567 Hauser in Ferch  Hauser in Ferch   between 1878(1878) and 1881(1881) Medium oil on canvas Dimensions 70 x 84 cm (27.6 x 33.1 in) cjr
97259 Houses in Ferch by Lake Schwielow  Houses in Ferch by Lake Schwielow   between 1878(1878) and 1881(1881) Medium oil on canvas Dimensions 70 X 84 cm cyf
89906 Hummer mit Zinnkrug und Weinglas  Hummer mit Zinnkrug und Weinglas   1876/77 Medium oil on canvas Dimensions 61 x 75 cm (24 x 29.5 in) cyf
93708 Sagegrube  Sagegrube   circa 1878(1878) Medium oil on canvas Dimensions 56.5 x 44.5 cm (22.2 x 17.5 in) cjr
97652 Schilfffeld mit Enten  Schilfffeld mit Enten   1881(1881) Medium oil on canvas Dimensions 46.6 x 69.5 cm cyf
89406 Segelschiff auf der Havel  Segelschiff auf der Havel   1878(1878) Medium Oil on canvas Dimensions 70 x 91.5 cm (27.6 x 36 in) cjr
96903 Spankorb und Tontopf  Spankorb und Tontopf   after 1888(1888) Medium oil on canvas Dimensions 64.5 X 80.5 cm cyf
74420 Still Life with Apples, Wine-Glass and Pewter Jug  Still Life with Apples, Wine-Glass and Pewter Jug   c. 1870-1880 Oil on canvas cjr
93564 Stillleben mit apfeln, Weinglas und Zinnkrug  Stillleben mit apfeln, Weinglas und Zinnkrug   circa 1876(1876) Medium oil on canvas Dimensions 69.2 x 92 cm (27.2 x 36.2 in) cjr
75769 Weinglas und Zinnkrug  Weinglas und Zinnkrug   Deutsch: um 1870-1880 English: c. 1870-1880 Medium Oil on canvas cyf
88321 Wildbach  Wildbach   after 1890(1890) (?) Medium Oil on canvas Dimensions 60.3 x 81.8 cm (23.7 x 32.2 in) cyf
96902 Wildente und Emailtopf  Wildente und Emailtopf   oil on canvas Dimensions 58 X 73 cm cyf
97322 Wildenten und kleine Vogel  Wildenten und kleine Vogel   1884 (?) Medium oil on canvas Dimensions 60 X 75.5 cm cyf
94057 Wooded landscape  Wooded landscape   Date 1868(1868) Medium oil on canvas mounted on cardboard Dimensions 53 x 39.7 cm (20.9 x 15.6 in) TTD
96876 Zinnkrug  Zinnkrug   1877(1877) Medium oil on canvas Dimensions 61 X 51.5 cm (24 X 20.3 in) cyf
93545 Zwei Blumentopfe mit Stiefmutterchen  Zwei Blumentopfe mit Stiefmutterchen   1890/93 Medium oil on canvas Dimensions 64.5 x 81 cm (25.4 x 31.9 in) cjr
93547 Zwei Wildenten mit Emailtopf  Zwei Wildenten mit Emailtopf   1880/82 Medium oil on canvas Dimensions 62.3 x 79.8 cm (24.5 x 31.4 in) cjr

Carl Schuch
(30 September 1846 - 13 September 1903) was an Austrian painter, born in Vienna, who spent most of his lifetime outside Austria, in Germany, Italy and France. He painted primarily still lifes and landscapes. During the period 1882-94 he was based in Paris, where he was greatly impressed by the work of Claude Monet whom he described as "the Rembrandt of plein-air painting" although he was attracted most of all to Rembrandt and the artists of the Barbizon school. In 1884 and 1885 he spent the summer months in the Netherlands, studying the Dutch old masters as well as the contemporary painters of the Hague School, and filling notebooks with detailed descriptions of the colors he observed in paintings that he admired. Of all the artists belonging to the circle around Wilhelm Leibl (called the Leibl-Kreis), Schuch was the most devoted to color. His work marks the transition from the realist tradition to the modern movement in Vienna, esthetically, however, it is far from contemporary trends, and from its means and ends, comparable to Paul Cezanne (Gottfried Boehm, referring to Arnold Gehlen).



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